2025 in 2025: Day 96

Home Tapes - John Lennon

Outtakes and home recordings and demos. The outtakes are very similar to the final released tracks - except God here is just a ripper of an acoustic number. I Found Out has some pretty different vocal layers going on.

Highlights: God [Studio Outtake], Mother [Studio Outtake], Nobody Told Me [Home Recording]

6.5/10

Homework - Daft Punk

I like Daft Punk as much as anyone, but for the most part this album really does sound like the most typical European 90s techno-funk. It did not grab me in 1997 and it does not do much for me now. So maybe I do not like Daft Punk as much as anyone? That kick in Da Funk is all sorts of cowabunga.

Highlights: Da Funk, Rollin' & Scratchin', High Fidelity, Indo Silvery Club, Alive

6.5/10

HONEY - SCANDAL

Fun fact: this album was my introduction to SCANDAL. I saw pictures of Haruna's signature Telecaster and it looked so good I figured I should check out the artist related to it. Now I really want Mami's 'Omochi' Stratocaster. Not to be outdone, Tomomi's bass tone on this album is fire. If they do a third Fender collaboration, I hope they give her an awesome signature bass and then I would complete the lineup!

Highlights: Over, 窓を開けたら, 恋するユニバース, ふたり

8.5/10

Honeymoon - Lana Del Rey

I am going to write this before even making it through the first song: this album is long and boring. I will update at the end if listening to this full album again changes my mind. Nope; an hour later I found one very good song amongst a sea of nothingness.

Highlights: The Blackest Day

5/10

Honky Chateau - Elton John

I am often embarrassed at how much my Elton John collection is lacking. Well, the CD section of it; my vinyl section is pretty solid. Like this album; it is nothing special, but is pretty solid. What is Bernie Taupin's obsession with Americana?!?

Highlights: Susie (Dramas), Rocket Man, Mellow, I Think I'm Going to Kill Myself

7.5/10

Hooray for Boobies - The Bloodhound Gang

This is purely the song Mope, because I generally do not care for this band. But they managed to combine a whole bunch of 80s pop samples and this is the best Metallica have ever sounded.

8/10

Hopes and Fears - Keane

Someone please tell Apple what punk music is - because Keane sure ain't it. It is all fine and dandy, but some of these songs are sure repetitive. 

Highlights: Somewhere Only We Know, Bend and Break, Everybody's Changing, Bedshaped

6.5/10

Hot Fuss - The Killers

This was my album of the year in 2004. I still consider it one of the most awesome debut albums ever. And Jenny Was a Friend of Mine is the most awesome opener. Brandon Flowers had such a great voice on this album - screamed at just right the amount for me - and it just got worse with each subsequent album. But boy oh boy was this a great reminder that they did once live up to their name.

Highlights: Jenny Was a Friend of Mine, Mr. Brightside, Somebody Told Me, All These Things That I've Done, Glamorous Indie Rock & Roll, Believe Me Natalie

9/10

Hot in the Shade - Kiss

I'm running out of nonsense to say, so just read my Kissathon post about this one. I somewhat agree with it today...

Highlights: Hide Your Heart, Forever, Silver Spoon, Little Caesar

7/10

Hot Sauce Committee Part Two - Beastie Boys

I would like to hear the real part two one day, but obviously that will never happen and this will forever stand as the last release the Beastie Boys ever do. At least it was a banger of an album to go out on. Just so much badass rhymes over creative beats and then one old school hardcore punk jam. 

Highlights: Too Many Rappers, Lee Majors Come Again, The Lisa Lisa/Full Force Routine, Ok

8/10

Hot Space - Queen

The anomaly in the Queen discography. The live versions are definitely better, but it is not nearly as bad as some people would have you believe - there is still some charm to some of these songs. And good grooves.

Highlights: Dancer, Under Pressure, Staying Power, Action This Day

7/10

Hotel Paper - Michelle Branch

This is just the single Breathe. I seem to recall there being another big single from this album. I really should check out the whole thing one day.

10/10

Hotter Than Hell - Kiss

This album still sounds as terrible as ever. One day I am going to get the 2014 iTunes version, because it does sound marginally better. My how I wish I had already got that for this listen. Still surprised we did not get a massive super deluxe banana edition of this and first album for the 50th anniversaries.

Highlights: Got to Choose, Parasite, Hotter Than Hell, All the Way, Comin' Home

9/10

"Albums" listened to so far: 800

FREE PALESTINE

Music Talk: Kiss Goodbye - Day Two

So Kiss had their "final" concert the other day, which has led me to making this a bit of a Kiss week on the ol' iPhone playlist. I was originally planning on a full-fledged Kissathon III: the timing felt very appropriate, because it was about 10 years ago I did the original Kissathon blogging, and it being the end of Kiss and their 50th anniversary, it just felt it was time to take an expert-level approach to this and include a whole bunch of stuff that I skipped last time and has been released since, such as Eric Carr's "solo album" and all of Gene Simmons' solo work (yes, even including the dreaded vault - 8 discs of demos that would likely make me laugh or die of boredom)... but then I realised that I really don't have the patience to deal with Tommy Thayer again.

So instead, I made the bold choice to just do a Monday of the OG line-up. From the self-titled album through to the solo albums. And with a nice strong matcha, I gotta say... I had a great time. A great reminder of why I love Kiss so much. If I hadn't been exhausted from being awake for almost 24 hours and walking a millions kms, you can bet I would have picked up my guitar and jammed out to Dressed to Kill before bed. And I don't really need to talk about those first 12 albums, because 10 of them are pure awesome, 1 is pretty decent, and the last just hilariously awful. But I will reiterate that self-titled to Alive! is gold. I'm really hoping that Kiss can put together some type of awesome box set to commemorate that period next year. And maybe finally give Hotter Than Hell a remix while they're at it?

Of course, I am still waiting for my Diamonds and Pearls box set to arrive (well, not anymore - it arrived while I'm typing this), so I had to plan for another day of Kiss greatness. Which actually works for me, because then I can tick off the fake OG line-up albums.

So this morning I started things off with Destroyer {Resurrected}, which is now my official "go-to" whenever I want to listen to Destroyer. Honestly, I love how alive the mix is; the whole thing just lifts the energy to a higher level. Plus, it's great having an actual Ace Frehley solo on there instead of Bob Kulick and Dr. Wagner. Which leads me to my current listen... the Destroyer 45th Anniversary box set.

Not doing 100 hours of demos was a great choice. Because these demos are dumb. Admittedly, I do enjoy hearing Paul Stanley sing God of Thunder, and maybe It's the Fire could have been a decent song if they had finished it off, but the rest are either songs that eventually became better songs, or just Gene making a lameburger.

Now I'm on to the 3rd disc, which consists of single versions and remixes. And the real highlight - Ain't None of Your Business, an actual studio outtake from the sessions. It's some cover song? And was going to be Peter's song on the album before he gave them Beth. Kisstory would be completely different had that not happened; this album might not have been such a success, Kiss might never have reached the heights they did, and Ace Frehley might not have spent 40 years incorrectly thinking he had won a Grammy! Anyways, Ain't None of Your Business is actually much more like Peter's songs on their earlier albums, but doesn't fit in with the style of Destroyer at all. So I like it a lot.

Finally, we get a disc of the band live in Paris on the Destroyer tour. It's hilariously terrible quality. Almost has hilarious as Paul Stanley's guitar playing. But it's high energy fun that I can only wish I was watching instead of just listening to. Every time I listen to this box set (this would likely be the 3rd, at best) I convince myself I could never justify purchasing it at the exorbitant Kiss-style price tag. Then I see that atmos mix of Destroyer and the big silliness of the box set and I think to myself  'ooh I should get that next time I see it on special'.

Yes, I'm a moron.

Then we move on a 1977 concert from the "Off the Soundboard" series. This is better quality than the '76 show - which you would expect from a soundboard recording. I'm a fan of any live set that opens with I Stole Your Love, so this one is an immediate win for me! In fact, this setlist is almost completely songs from Destroyer to Love Gun, so that makes this quite different. Again, that is a plus! For some reason, the bass disappears every so often. Since this is a soundboard recording, I can only assume that means Gene hadn't yet learned the art of miming to backing tracks....

On to Double Platinum. I talked about that before. It's a Kiss compilation, but with added stuff to make the songs... more... something. And then we're on to Dynasty and Unmasked to close out the day. Maybe Greatest Kiss as well, since that's a full-on awesome compilation of the original line-up. All of this is awesome.

Prince may have to wait another day so I can action another day of Kiss.

HOTTER THAN HELL (1974)

Sunbathing time in the Kiss house...

This album sounds like it was recorded in a garage at the back of a cabin in the middle of Greymouth during winter. Or just by someone incompetent who then buried the tapes in a pile of mud thinking it would improve the sound. It didn't. Which is a shame, because the songs on this album are just the absolute business. Got to Choose is so awesome and the guitar solo stands as one of my all-time favourites. Parasite is probably the heaviest Kiss song and totally badass. Goin' Blind is somewhat of a ballad, I guess, but is still good. If the guitar didn't sound so weird and Gene's vocals didn't sound so forced, it would sound much better. Mainline is kinda groovy and kinda lame at the same time. I don't know how that works. The rest is all dark and brooding and levels of badassery one can only hope to attain when dressed in crazy outfits and pretending to be from another planet while surrounded by all sorts of explosions. The best of times...


Highlights:
Got to Choose, Parasite, Hotter Than Hell, Let Me Go Rock'n Roll, All the Way, Comin' Home, Strange Ways

Lowlights:
The album production being inferior to a 4-track tape recorder being run through a pile of cow dung.


Verdict = 4 Smoking Les Paul Guitars and a thumbs up!

HOTTER THAN HELL (1974)

Sunbathing in the Kiss house always gets rough

After a good but not amazing effort on debut, Kiss moved to LA to make their follow-up. Unfortunately, the LA smog consumed the recordings and made everything sound like it was fighting its way out of sludge. Which is a shame, because this album rocks hard!

'Got to Choose' is one hell of a cool opening song, and anyone that ever disses Peter Criss' skills as a drummer should listen to his awesome fills in 'Parasite' - probably the heaviest Kiss song to date. 'Goin' Blind' is their first attempt at a slow song, I guess. Ace's solo is awesome. In fact, Ace's solos on all these songs are killer. The title track, 'Hotter than Hell' is a solid rocker, then you get the high energy of 'Let Me Go Rock'n Roll' - which is so damn awesome it was their show closer until 'Rock'n Roll All Nite' came about.

Then 'All the Way' is your classic stomping groove while Gene makes fun of some woman for talking too much kind of song, followed by another heavy classic 'Watchin' You'. Next, Peter hits us with his song for the album 'Mainline'... and it's... there... 

'Comin' Home' is apparently written about how unhappy they guys were in LA and wanted to get back to New York. Then Peter says 'Hey guys, my last song wasn't good enough' so he sings the Ace written 'Strange Ways' and the world explodes from the awesome and the album has no choice but to end.

Notice I have nothing bad to say? That's because this album is awesome with a fist pumping in the air while I head bang. The only negative is the production, because this album could have sounded so much better had it been recorded well. Also, 'Comin' Home' sounds so much better on 'Unplugged' it's hard to take the original version seriously now. And I don't really know how an acoustic song can rock harder than the same song in electric form.

Highlights:

Got to Choose, Parasite, Hotter than Hell, Let Me Go, Rock'n Roll, Strange Ways

Lowlights:

The sludgey production that makes everything sound muffled. Or just covered in grime.

Verdict = 4 Smoking Les Pauls