2025 in 2025: Day 183

Vol. 2... Hard Knock Life - Jay-Z

A still young (maybe?) Hova full of fire and lewdness, but then he still is pretty lewd. This album has such a solid groove and goes pretty hard in parts. Surprisingly one of my favourite Jay-Z albums; not the overall brilliance of The Black Album, but real flashes of his genius.

Highlights: A Week Ago, Ni**a What, Ni**a Who (Originator 99), Can I Get A..., Money Ain't a Thang

8/10

Vol. 3... Life and Times of S. Carter - Jay-Z

The first half is the less than impressive Hova I had expected. Then the second half - while nothing as exceptional as Vol. 2 - is way cooler and has much better grooves. Jay-Z flow and lyrical skills continue to be as awesome as ever throughout.

Highlights: Big Pimpin', Come and Get Me, There's Been a Murder, Hova Song (Outro)

7/10

Voulez-Vous - ABBA

The most disco of pop disco albums. A veritable party mixed with love ballads with a groove. Even tired old grumpy LOGMAN can not listen to this without eventually coming to life - If It Wasn't for the Nights is an absolute gem and Kisses of Fire is a good time forever!

Highlights: If It Wasn't for the Nights, Kisses of Fire, Voulez-Vous, Does Your Mother Know

9/10

Vs. - Pearl Jam

I really dig the way the guitars compliment each other on this album; Mike McCready and Stone Gossard rarely play the same parts and it gives the songs more dynamics. And these songs are full of passion and fire. A real product of the time, but still a gawdam awesome album that holds up well almost 35 years later.

Highlights: Rearviewmirror, Dissident, Go, W.M.A.

9/10

W is for What a Way to spend 2025

Waitin' For The Night - The Runaways

The first album with Joan Jett taking over as frontwoman and stuff is already a bit heavier. Because JJ does not mess around.

Highlights: Wasted, You're Too Possessive, Gotta Get Out Tonight, Don't Go Away

7/10

Waiting for the Sirens' Call - New Order

I was listening to this album with someone and they thought it was Manic Street Preachers... and I think that perfectly sums up this album. The whole thing is pretty standard Britpop and sounds more like a band influenced by New Order.

Highlights: Morning Night and Day, Waiting for the Sirens' Call, Turn, Guilt is a Useless Emotion

7/10

Waking Up The Neighbours - Bryan Adams

Like a less heavy Def Leppard album; the gang vocals and harmonies on this sound exactly like the Hysteria album, but this album has more cheese. I love BA and he absolutely killed it on this, but I think the album is a few songs too long - there are about 4 or 5 songs that sound WAY too similar, so if he eliminated a few of those it would be under an hour and be a lot tighter. Sometimes less is more.

Highlights: Don't Drop That Bomb On Me, Can't Stop This Thing We Started, Thought I'd Died and Gone to Heaven, Is Your Mama Gonna Miss Ya?

7.5/10

Walking Off the Buzz - Blessid Union of Souls

I only have one song - Hey Leonardo (She Likes Me For Me). It is a lot of fun. Very typical 1999 pop radio rock kind of thing.

8/10

Walls and Bridges - John Lennon

Lennon doing way too much partying to keep caring about world peace, I guess. Instead, he chooses to get as middle of the road as possible - I get the feeling he was trying to get some hits or at least some radio time. 

Highlights: Nobody Loves You (When You're Down and Out), Steel and Glass, Whatever Gets You Through the Night, What You Got

7/10

War & Peace - Warren Peace

Well this thing is a mess. Some attempts at proper songs, but also some attempts at being a doucheburger. And, surprisingly, the latter is more successful. I am not sure why every song needed big messy noises to end them...

Highlights: Fire and Ice, Dear Diary

6/10

Warning! - Green Day

As fun as some of these songs are, they just sound like a bunch of earlier Green Day songs, just with acoustic guitar and keyboards and weak-sauce drumming. They really lost any remnants of their "edge" here. 

Highlights: Minority, Macy's Day Parade, Castaway, Church Sunday

7/10

WARP - JUDY AND MARY

The first half of this is EXTREME JAM craziness; a whole lot of noise and avant-garde "music". Then somewhere around the middle, YUKI decided to start practicing for her solo career and there is a massive shift towards pop hooks. Just covered in a layer of noise. I respect that their guitarist just never played sensible chords and treated these songs like a jazz jam session.

Highlights: motto, ガールフレンド, ひとつだけ -ver.WARP-, Brand New Wave Upper Ground

7/10

Waterline - Charlton Hill

I think the production on this album does it a great disservice; it is very much of the times and while that does work on a few songs, the rest get stuck in the mire of sounding very generic. It results in a lot of the songs lacking in emotion and just sounding dated. Which is a shame, because I know that underneath the songs actually have some soul.

Highlights: The Last Thing, Crash Landed, Turn To You, Deep

7/10

Waterloo - ABBA

Benny and Bjorn are working harder on this album - I do not recall them singing so many songs on any other album. It is ABBA. A good time is guaranteed.

Highlights: Waterloo, Honey Honey, Watch Out, Gonna Sing You My Lovesong

8/10

WAVE - YUKI

In some ways, this feels like YUKI's most straight-laced pop rock album. Apart from a couple of electro dance numbers. But overall, it really is a collection of great hooks over some simple chords. And that is a good thing - because it results in a some outstanding songs.

Highlights: 歓びの種, You've got a friend, あおぞら, ふがいないや

7/10

"Albums" listened to so far: 1815

FREE PALESTINE

2025 in 2025: Day 1

I'm still not convinced there are 2025, but hey - here we go!

ABBA - ABBA
Mamma Mia is a hell of a way to start this whole thing... ABBA's self-titled album is their third studio album and is just a barrel of good times like that opening song and SOS, which is probably one of all-time favourite ABBA songs. The deep cuts here are also pretty freaking great. Man in the Middle is so dang funky. Particularly the lyrics about a 50 year-old dude dating a 17 year-old... I disliked Rock Me when I was younger and first discovered ABBA. However, once I finally joined an ABBA tribute band and was required to do a bit more of a deep-dive on their catalogue, it really grew on. But, man, did I used to shred my voice screaming it! You know, I don't often miss performing live, but ABBA really do that for me. Genuinely one of the greatest pop bands of all-time. And this album at 4am just hits hard! First album in and already I wish I could stop and just listen to ABBA all day...
Highlights: Mamma Mia, SOS, Rock Me, So Long 
8.5/10

Abbey Road - The Beatles
From one brilliant pop act to another! And my favourite album, to boot! This is just perfection after perfection. Even Maxwell's Silver Hammer isn't actually that bad! I'll never understand why that song gets so much hate, yet Beatles fans are totally fine with the other trite Paul McCartney wrote. Anyways, I'm not going to get bogged down in hating, because it's followed by one of McCartney's shining moments and then Harrison hits us with some of his grooviest lead work ever. Then Lennon gets his prog going - I do kinda miss how much this song completely distorted on the old master. And I failed at picking the ending again - couldn't tell if that was the ending or if my headphones had cut out. And taking a bunch of half-finished songs and making that medley may well be one McCartney's finest moments. OK, yes, now I understand; if not for Maxwell and his silver hammer of silly, this would be the most perfect album in the history of history.
Highlights: George Harrison's lead guitar work, The awesome ending to She's So Heavy, The Medley
9.999/10

Ace Frehley - Ace Frehley
Ace's first solo album! I don't have much to add to my initial review, except that Anton Fig is an underappreciated drummer.
Highlights: Ace being Ace.
10/10

Acoustic EP - Charlton Hill
Well, here is something I haven't listened to in a VERY long time! I met Charlton Hill and his guitarist in probably my first week living in Melbourne, so thought I should do the supportive thing and buy his album - and this was a bonus disc that came with it. I'm pretty sure they're all just acoustic versions of songs on the album. I wonder what those dudes are doing now...
Highlights: Not a lot...
5/10

Acoustic Hits - The Cure
The acoustic version of The Cure's greatest hits. Man, I was having so much fun until all this acoustic stuff kicked in - too early in the morning for so much chilling out! Admittedly, I have not actually listened to this CD all that much. Turns out, this is kind of fun, too. I'm not crazy-tied to some of their random 80s singles, so hearing them in this fashion is at least interesting to me. And by the time In Between Days comes on, I'm thinking this may be a totally good vibe; no keyboard brass on Why Can't I Be You, fun acoustic percussion on everything, zero electronic noise on Wrong Number. It's The Cure's hit singles - there is nothing bad going on here.
Highlights: The use of Xylophone.
7.5/10

Active Duty - MC Hammer
It's Hammer! And he's bringing his crew of bad singers with super patriotic pro-USA, pro-war, SUPER pro-church lyrics . Watch out, terrorists!  Hammer's coming to getcha! USA! USA! On the whole, the album has great beats and the flow is tight; it's just the lyrics are mostly stupid. And it did not need to be 80 minutes long. Fun fact; one afternoon I was listening to this album (by choice, even) and decided to tweet MC Hammer to let him know. He replied with a fist bump. That was a great moment in life and I will give the album a pass for that reason.
Highlights: Hammer telling terrorists they gonna get some.
5/10

Actor - 緑黄色社会
Bah gawd this intro is phenomenal! There was no way the rest of the album could live up to it - and it does not. The thing about 緑黄色社会, is that their initial independent releases were so fantastic, they quickly became one of those bands that I just immediately buy anything from. Then they signed with a major label and with each subsequent release, their work just got less interesting. And this, their third album and second major label album, captures that completely. It isn't bad - I'm not sure they're capable of creating bad - but everything just sounds the same and provides me with no real emotional connection. And so this was the album where I tapped out. But hey, their popularity has only increased so hopefully they're making bank now. Good for them.
Highlights: Actor (Opening Track - not the whole album. Or even someone that goes by that for their occupation. Except maybe Tom Cruise. That would be a highlight, for sure!)
6/10

Ænima - Tool
Wow. Talk about a blast from the past... Tool were my favourite band in 1996/97 and this was probably one of those 'day one' albums for me. No doubt my friends and I listened to it a lot in 1997. And now, if not for this marathon, I would probably never choose to put on a Tool song under any circumstances. In fact, I just checked and not only do all my Tool tracks have 0 plays, they have 3 skips. All that said, listening to this does kinda make me want to pick up a guitar and jam along a little. Because Eulogy features a whole bunch of great riffs. Hooker With a Penis is more fun than I remember. But even 16 year-old LOGMAN had no interest in a bunch of transitions that range from windscreen wipers to a baby screaming and thunder. The German recipe still slaps, though.
Highlights: Stinkfist, Eulogy, The big meaty ending to Forty-Six & 2.
5/10

Albums Listened to So Far: 8