2025 in 2025: Day 53

Destroyer - Ryan Adams

Not a cover of the Kiss album. That is disappointing. What it is instead is very low-fi acoustic alt country and it is all very fine. There is some weird synth or something in Bartering Lines. And then it all ends with a song that sounds like it is absolutely not from the same sessions, because it sounds like The Cardinals making noise rock complete with way too much wah.

Highlights: Born Yesterday, Poison and Pain, Memories of You

7/10

Destroyer - Kiss

Oh, this is the album I was after! Detroit Rock City is so awesome. So is King of the Night Time World. And the rest of the album. I must be in one of those moods this morning, because this album is hitting all the right notes for me today. 

Highlights: Detroit Rock City, King of the Night Time World, God of Thunder, Shout it Out Loud, Do You Love Me

9/10

Destroyer (45th Anniversary Super Deluxe) - Kiss

I actually kind of did talk about this before, but I'm willing to do it again. Manly because I have removed all the demos and stuff that I did not want to listen to again. Maturity is realising you don't need every song in the world in your iTunes library. This acoustic remix of Beth is good until that synth kicks in - very unnecessary. And I really dig Ain't None of Your Business - darn cool song! The rest of this is just the Destroyer album in various single edits and early mixes and even instrumentals. Beats listening to demos of bad Gene songs, I guess.

Highlights: Shout it Out Loud [Single Edit], Do You Love Me? [Alternate Mix], Ain't None of Your Business

7/10

Destroyer {Resurrected} - Kiss

Am I sick of this album yet? Luckily, listening to the {Resurrected} version is like listening to it with fresh ears. I think I like this version of Sweet Pain a little more? And not just because Ace 's guitar solo has been restored. I mean, you should always choose Ace Frehley guitar solos over everything. Actually, this mix of Beth is better as well - they've mixed in a little bit more acoustic guitar to fill things out nicely. Honestly, today has transformed my opinion on this album; I've generally considered it overrated, and while it is still not my favourite Kiss album, it is still better than you. Unless you are LA Park? Or Dr. Wagner, Jr.

Highlights: Sweet Pain (2012 Remix)

10/10 once I remove Rock and Roll Party and the Ace-less version of Sweet Pain

Details - Frou Frou

Imogen Heap was totally the 'it' girl back in 2005, right? And it felt like Guy Sigsworth was everywhere doing everything with everyone. I don't think I have listened to this since 2005... It feels like I might have some sort of deluxe version, because this album totally runs out of steam after 10 tracks and just gets really self-indulgent. But those first 10 tracks are awesome. It's no Destroyer, but it is a great collection of electronic pop music.

Highlights: Breathe In, Let Go, Only Got One, Shh

7/10

Devil's Night - D12

Another album I probably have not listened to since 2003. I totally dug Eminem back in the day, and thought this album would be cool. It is a bit too rude for me - I don't dig all the gross sex talk and what not. When that isn't going on, the songs are fun. How is it he mentioned him in a million songs but Eminem can not get that it is Christophe Reeve not Reeves? I need to seek out the radio version of Purple Pills - pretty sure it was called Purple Hills and Bizarre's rap was way different. Proof was the best rapper of the crew and his voice was cool. There are a lot more homophobic slurs than I remember.

Highlights: Shit Can Happen, That's How, Purple Pills, Instigator, Obie Trice (Skit), Revelation

6.5

"Albums" listened to so far: 413

Music Talk: Kiss Goodbye - Day Two

So Kiss had their "final" concert the other day, which has led me to making this a bit of a Kiss week on the ol' iPhone playlist. I was originally planning on a full-fledged Kissathon III: the timing felt very appropriate, because it was about 10 years ago I did the original Kissathon blogging, and it being the end of Kiss and their 50th anniversary, it just felt it was time to take an expert-level approach to this and include a whole bunch of stuff that I skipped last time and has been released since, such as Eric Carr's "solo album" and all of Gene Simmons' solo work (yes, even including the dreaded vault - 8 discs of demos that would likely make me laugh or die of boredom)... but then I realised that I really don't have the patience to deal with Tommy Thayer again.

So instead, I made the bold choice to just do a Monday of the OG line-up. From the self-titled album through to the solo albums. And with a nice strong matcha, I gotta say... I had a great time. A great reminder of why I love Kiss so much. If I hadn't been exhausted from being awake for almost 24 hours and walking a millions kms, you can bet I would have picked up my guitar and jammed out to Dressed to Kill before bed. And I don't really need to talk about those first 12 albums, because 10 of them are pure awesome, 1 is pretty decent, and the last just hilariously awful. But I will reiterate that self-titled to Alive! is gold. I'm really hoping that Kiss can put together some type of awesome box set to commemorate that period next year. And maybe finally give Hotter Than Hell a remix while they're at it?

Of course, I am still waiting for my Diamonds and Pearls box set to arrive (well, not anymore - it arrived while I'm typing this), so I had to plan for another day of Kiss greatness. Which actually works for me, because then I can tick off the fake OG line-up albums.

So this morning I started things off with Destroyer {Resurrected}, which is now my official "go-to" whenever I want to listen to Destroyer. Honestly, I love how alive the mix is; the whole thing just lifts the energy to a higher level. Plus, it's great having an actual Ace Frehley solo on there instead of Bob Kulick and Dr. Wagner. Which leads me to my current listen... the Destroyer 45th Anniversary box set.

Not doing 100 hours of demos was a great choice. Because these demos are dumb. Admittedly, I do enjoy hearing Paul Stanley sing God of Thunder, and maybe It's the Fire could have been a decent song if they had finished it off, but the rest are either songs that eventually became better songs, or just Gene making a lameburger.

Now I'm on to the 3rd disc, which consists of single versions and remixes. And the real highlight - Ain't None of Your Business, an actual studio outtake from the sessions. It's some cover song? And was going to be Peter's song on the album before he gave them Beth. Kisstory would be completely different had that not happened; this album might not have been such a success, Kiss might never have reached the heights they did, and Ace Frehley might not have spent 40 years incorrectly thinking he had won a Grammy! Anyways, Ain't None of Your Business is actually much more like Peter's songs on their earlier albums, but doesn't fit in with the style of Destroyer at all. So I like it a lot.

Finally, we get a disc of the band live in Paris on the Destroyer tour. It's hilariously terrible quality. Almost has hilarious as Paul Stanley's guitar playing. But it's high energy fun that I can only wish I was watching instead of just listening to. Every time I listen to this box set (this would likely be the 3rd, at best) I convince myself I could never justify purchasing it at the exorbitant Kiss-style price tag. Then I see that atmos mix of Destroyer and the big silliness of the box set and I think to myself  'ooh I should get that next time I see it on special'.

Yes, I'm a moron.

Then we move on a 1977 concert from the "Off the Soundboard" series. This is better quality than the '76 show - which you would expect from a soundboard recording. I'm a fan of any live set that opens with I Stole Your Love, so this one is an immediate win for me! In fact, this setlist is almost completely songs from Destroyer to Love Gun, so that makes this quite different. Again, that is a plus! For some reason, the bass disappears every so often. Since this is a soundboard recording, I can only assume that means Gene hadn't yet learned the art of miming to backing tracks....

On to Double Platinum. I talked about that before. It's a Kiss compilation, but with added stuff to make the songs... more... something. And then we're on to Dynasty and Unmasked to close out the day. Maybe Greatest Kiss as well, since that's a full-on awesome compilation of the original line-up. All of this is awesome.

Prince may have to wait another day so I can action another day of Kiss.

KISSATHON 2015: Finished Business

Victory!

Kissathon blogging is finally complete! And what fun it was - I'm sure you had a great time as well. Now let's have a look at the overall results and determine where Kiss are the shit and where they are just shit...


Best Kiss Studio Album:
DRESSED TO KILL (1975)
No surprise. They wear the suits on the cover because they knew they'd be accepting this award.
Runners Up: Love Gun, Hotter Than Hell, Creatures of the Night

Worst Kiss Studio Album:
MUSIC FROM "THE ELDER" (1981)
This was quite close, and quite frankly I'm surprised Sonic Boom or Monster didn't take this. But I guess those albums had a few songs that weren't totally awful, whereas The Elder was just a joke.
Runners Up: Sonic Boom, Monster, Lick It Up

Best Solo Album:
ACE FREHLEY (1978)
Very close decision, but there is no denying the brilliance of Ace's solo debut.
Runners Up: Trouble Walkin' - Ace Frehley, Anomaly - Ace Frehley, Space Invader - Ace Frehley

Worst Solo Album:
GENE SIMMONS (1978)
Not as close as you would think. I really can't believe that some people can pretend that is a good album. Then again, some people try and pretend Music From "The Elder" is a good album. Some people are fucking stupid.
Runners Up: One For All - Peter Criss, Peter Criss, Out of Control - Peter Criss

Best Compilation:
GREATEST KISS (1997)
Less of a surprise than Dressed to Kill pulling out Best Studio Album. Especially considering my review basically saying it was near perfection - total spoiler alert if ever I saw one.
Runners Up: You Wanted the Best You Got the Best!!, 12 Picks - Ace Frehley, Double Platinum

Worst Compilation:
SPACEWALK: A TRIBUTE TO ACE FREHLEY (1996)
Good. Because not even an awesome Ace Frehley song can cure me from the Balschko's disease this album gave me.
Runners Up: Love Gun - Deluxe Edition Bonus Disc, The Box Set Disc 1, The Box Set Disc 2

Best Live Album:
MTV UNPLUGGED (1995)
This was extremely close - honestly only a fraction in it!
Runners Up: Alive!, Alive IV, Alive III

Worst Live Album:
ONE LIVE KISS (2009)
I just realised this was a pointless category - totally thought there were more live albums than there actually was.
Runners Up: Psycho Circus Bonus Disc, Live+1 - Frehley's Comet, Alive II

Best Album of the Makeup Era:
ALIVE! (1975)
Quite surprised to see this score so much higher than everything else because I thought I had been harsh on it. But it is pretty legendary - now you know why!
Runners Up: Ace Frehley, Dressed to Kill, Love Gun

Worst Album of the Makeup Era:
GENE SIMMONS (1978)
Well, that will teach you, Gene...
Runners Up: Music From "The Elder", Sonic Boom, Monster

Best Album of the Non-Makeup Era:
ALIVE III (1993)
I guess, technically, Unplugged was still the non-makeup era. But it had an unfair advantage by including the original lineup and being mostly songs from the makeup era. And being awesome.
Runners Up: Revenge, Crazy Nights, Asylum

Best Album of the 70s:
ALIVE! (1975)
These results are just a repeat of the Best Makeup Era results, for obvious reasons...
Runners Up: Ace Frehley, Dressed to Kill, Love Gun

Worst Album of the 70s:
GENE SIMMONS (1978)
Ha! In your face again, Gene!
Runners Up: Peter Criss, Rock and Roll Over, Kiss

Best Album of the 80s:
TROUBLE WALKIN' (1989)
Of course Ace's masterpiece would take this title. No other album in the 80s even came close!
Runners Up: Creatures of the Night, Killers, Live+1 - Frehley's Comet

Best Album of the 90s:
ALIVE III (1993)
Again, I've taken out the compilations because they have an unfair advantage by being made up of 70s Kiss. Alas, Kiss didn't actually release a great deal of original material in the 90s...
Runners Up: Revenge, Psycho Circus, Criss EP - Peter Criss

Worst Album of the 90s:
SPACEWALK: A TRIBUTE TO ACE FREHLEY (1996)
Ugh, I had to be reminded that album existed...
Runners Up: Cat #1 - Peter Criss, Carnival of Souls: The Final Sessions, Criss EP - Peter Criss

Best Album of the 21st Century:
ALIVE IV (2000)
I probably should have just done the Century thing instead of the decades. Wouldn't have changed much, though.
Runners Up: Anomaly - Ace Frehley, Space Invader - Ace Frehley, Destroyer {Resurrected}

Worst Album of the 21st Century:
SONIC BOOM (2009)
Fuck you, Tommy Thayer!
Runners Up: One For All - Peter Criss, Monster, Live to Win - Paul Stanley

The Middle:
DESTROYER {RESURRECTED} (2012)
I thought it might be interesting to see what scored in the middle of the pack...
Runners Up: Frehley's Comet, Kiss, The Box Set Disc 4

The Other Side of the Middle:
REVENGE (1992)
So Destroyer {Resurrected} was number 30 - this is number 31. Surprising to see how far down an album like this scored, considering I really like it. And the ones that follow. Kind of shows the depth of awesome Kiss are when things don't actually start getting bad until after 40.
Runners Up: Unmasked, Rock and Roll Over, Psycho Circus Bonus Disc

Best Album:
GREATEST KISS (1997)
It's the best of the original line up - the best line up by far. So this album is a great compilation. Surprised to see it edge out MTV Unplugged, but is what it is!
Runners Up: MTV Unplugged, Alive!, Ace Frehley

Worst Album:
GENE SIMMONS (1978)
Kind of surprised to see it take the spot for worst of all, but it really is a terrible album. If you think otherwise, you should consider suicide. Please kill Tommy Thayer on your way out.
Runners Up: Music From "The Elder", Sonic Boom, One For All - Peter Criss

DESTROYER RESURRECTED (2012)

You should be dancing, yeah...

Destroyer! Kiss! Actual Kiss and an actual awesome fucking album!!!

Thank Prime they re-released this album when they did, otherwise my lasting impression of this whole exercise would be the shit I just had to endure. But Destroyer is here to wash away the pain. And with a new improved mix and remastering? Count me the fuck in!!!

And that's really all there is to it; this is Destroyer with improved sound. And actually improved, not just some garbage promo line where they've actually ruined the sonic qualities with a shitty remastering job (looking at you, Duran Duran). The whole thing got remixed and it shows, because this album has never sounded better. Plus, Ace gets his solo back in Sweet Pain. Because Kiss needs more Ace and less Wagner. Unless we're talking Dr. Wagner, Jr.

Because everyone in the world needs more Dr. Wagner, Jr.


Highlights:
Detroit Rock City, King of the Night Time World, Shout It Out Loud, Do You Love Me?

Lowlights:
Rock and Roll Party - that could have easily been left off the album and no one would have been hurt. But otherwise, fuck you! It's Destroyer with improved sound!



Verdict = 4 Smoking Les Paul Guitars

DESTROYER (1976)

We're off to see the wizard...

This is the album Kiss fans always rave about. But I'm not entirely sure, myself. Detroit Rock City is one of the greatest Kiss songs of all time, no doubt, and King of the Night Time World has an awesome attitude to rival any Kiss classic. But the middle section of this album just kinda hangs out doing its thing and not bothering anyone. It works as a full album, because I can just put this album on and listen to it over and over. Though that could also be because it is only 9 songs. But as stand alone songs, God of Thunder, Great Expectations and Flaming Youth are not songs I would seek out to listen to by themselves. They are just middle of the road songs bathed in a sea of strings and grandeur to hide the lack of hooks. Sweet Pain is a step better, even with some random dude I don't know playing the guitar solo. Luckily, the album returns to awesomeness with Shout it Out Loud and Do You Love Me? to end the album.

Oh, Beth splits them up. The biggest ballad of 70's Kiss and their biggest hit. I quite enjoy it sometimes and in some ways.

One thing is for certain - the cover art is mighty awesome.


Highlights:
Detroit Rock City, King of the Night Time World, Shout it Out Loud, Do You Love Me?

Lowlights:
Some guy playing guitar instead of Ace Frehley on Sweet Pain


Verdict = 4 Smoking Les Paul Guitars

Random Thoughts from a Ryan Adams Marathon: Day 2

* A Stranger is Born is basically just Those Weren't the Days but in worse quality

* Forever Valentine features some seriously good stuff. Massive thumbs up for this.

* Stranger's Almanac has some serious moments of awesome. When people ask me of the goodness Whiskeytown have to offer, I will mash this album in their face.

* The Complete Fucker Demos is misleading. This sounds like a well produced album, not dislike something Ryan Adams would have released around 2007. Coolness.

* B-Sides and Rarities contains some good songs for sure. I Hope it Rains at My Funeral contains some seriously George Harrison-esque slide guitar.

* Pneumonia is just a straight up phenomenal album. Just a pure joy to listen to and an awesome way to end the Whiskeytown section.

* Destroyer is not a cover of the same-named album by Kiss. That's a real shame.

* Exile on Franklin St has some serious hilarity to it. Weird versions of songs that would become great plus just straight up weird songs. Interesting.

271 songs down.

Random Thoughts from a Ryan Adams Marathon: Day 1

* Blank Label is lame.

* Kotten is OK but I seem to forget anything about the music as soon as it finishes.

* Patty Duke Syndrome is seriously good. Somewhat similar to the rocking stuff Ryan Adams makes now. Must remember to listen to this more often.

* Exile on Daisy Street... lots of just... dirge? I don't know. You know when you go to a bar and the band playing are really pretentious and think they are playing like super progressive indy rock including 10 minute jams on the same boring chords? That is what these recordings are. 19 year-old Ryan Adams needed a punch in the face and someone to boo him off stage.

* The Skylarks is pretty much the same just shorter songs and better audio quality.

* The Space Madness Sessions is again more of the same. Ryan Adams obviously liked grunge a lot in the early 90s. However, the few tracks with a slight country influence are darn fun and would have been great if he revisted them with Whiskeytown (probably did - I haven't looked ahead to check).

* 1994 Solo Recordings is probably one of the most country things he's ever done, possibly due to the completely stripped back nature. Good stuff. Better recordings would be fun.

* it segued nicely into Rural Free Delivery, the first proper Whiskeytown recordings. Good straight up alt. country goodness

* Faithless Street is an album I never search out to listen to, however it must be noted it is awesome. Despite Ryan Adams' fake southern accent.

* The Freightwhaler Sessions are Whiskeytown with a bit less countryness and no fake Southern accent. Not bad things.

* Drunken Confessions is interesting. Listening to this you can kinda just picture some rednecks sitting around with instruments in their lounge making music. Not that DRA is a redneck at all, but by Prime that fake Southern accent makes him sound like one. Kinda think that is the point of it. Steal a Car is a mighty nice song.

* Those Weren't the Days is a top notch collection of quieter tunes. Like Ashes & Fire 20 years before it would exist. Further Down the Road is pure class and 10 Second Til the End of the World is just fantastic. Actually, this is really good. I'm guessing most of it can be found on Stranger's Almanac, which I will probably get to tomorrow.

115 songs down.

DESTROYER (1976)

"We're off to see the wizard... "

This album...

When I first became a fan of Kiss, THIS was the album everyone raved about. They still do. The cover art. The album title. The song titles. It all screams 'Ultimate Kiss Album'. It opens with 'Detroit Rock City', for crying out loud. So, I got the album and cranked it up loud... and...

... was thoroughly disappointed. It isn't that it is bad. It just isn't the non-stop amazingness that Kiss fans talk it up as.

The two opening tracks are amazing and set the album up well. And I do mean amazing. But then almost everything after is just... I don't know... they are good songs, they just never really quite hit their mark. Then to make up for it, they get covered in strings and pianos and choirs. 'Flaming Youth' is one of those songs that sounds like it has so much promise, but the chorus just kind of lacks any kind of hook that grabs you and makes you want to throw your fist in the air.

And that goes for everything in the middle of the album. 'God of Thunder' has never really done much for me, 'Great Expectations' is kind of humorous, 'Flaming Youth' and 'Sweet Pain' both rock hard in places, before the album goes back to classic awesomeness with 'Shout It Out Loud' and 'Do You Love Me?'.

Then there is 'Beth' - Kiss' first actual hit. For all the grief Gene and Paul and fans give Peter Criss, without him and this song Kiss would never have even broken through to the mainstream audience the way they did. For that alone, he deserves eternal high-fives from all of us.

This album is also seen by some (meaning me, LOGMAN) as the beginning of the end of Kiss as we knew it; it was the first album other people played on songs (rumour has it Ace wouldn't leave his card game to record a solo or acoustic guitar or something) and really shows the control/influence Gene and Paul were looking to take. It would be the only time it didn't fail, which we will get to later.

Awesome album. A little overrated, sure - but still awesome.

Highlights:
Detroit Rock City, King of the Night Time World, Shout it Out Loud, Do You Love Me?

Lowlights:
Nothing

Verdict = 4 Smoking Les Pauls and a thumbs up